side a side a side a side a side a side a side a side a 

a+u 20:04 (e)
the shed (w)
a+u 20:02 (e)

a state in play (a)

democratizing space with DS+R (w)
house & sea (a)

uwcsea (g)

side b side b side b side b side b side b side b side b 

poster party (g)
お疲れ様でした (p)
fake books (g)
singular (p)
still life (g)
︎︎︎︎ (g)

a: architecture
e: editorial
g: graphic design
p: photo
w: writing

a+u 20:02

toshiko mori


The February issue is our first monograph dedicated to the architectural practice of Toshiko Mori. Based in New York, the Japanese native founded Toshiko Mori Architect (TMA) in 1981. The introductory essay by Fred A. Bernstein, an architecture journalist, demonstrates her design approach and her keen eye for detail. Mori’s works are the result of an in-depth study of the site’s topography, vegetation, and landscape, as pointed out by Edward Eigen, a historian and scholar of European and Anglo-American landscapes in the long nineteenth century. Mori’s designs reflect a sensitive integration of design, materials, and technology with the site. In addition, Sean Kelly, one of Mori’s clients and an art gallery owner, speaks about the process of collaboration with Mori. 18 representative works after 2000, of which 9 are residences, are featured in this issue, alongside site photographs and survey maps.

To Mori, teaching is always in parallel with her practice. Her essay illustrates her career, as a woman, in architectural academia and the several initiatives she introduced while being a faculty member at various prestigious architecture institutions, including the Harvard Graduate School of Design (GSD).

Some of my favorite spreads: